He’s never fought us. Not us united

Baby Doll: You’ll never have me… ever.

Don’t ever write a check with your mouth you can’t cash with your ass. Oh, and one more thing… don’t wake the mother.

If you do not dance you have no purpose. And we don’t keep things here that have no purpose. You see, your fight for survival starts right now. You don’t want to be judged? You won’t be. You don’t think you’re strong enough? You are. You’re afraid. Don’t be. You have all the weapons you need. Now fight.

Who Honors those we love for the very life we live? Who sends monsters to kill us…and at the same time sings that we’ll never die? Who teaches us what’s real…and how to laugh at lies? Who decides why we live and what we’ll die to defend? Who chains us…and who holds the key that can set us free? It’s you. You have all the weapons you need. Now fight.

He’s this amazing ambassador for all superheroes. What we’ve made as a film not only examines that but is also an amazing adventure story. It’s been an honor to work on. As a comic book fan, Superman is like the Rosetta Stone of all superheroes.

There’s very few dork movies made by dorks.

When I make a live-action movie, it’s a very physical process. It’s like running a marathon.

I believe that pop culture is just, like, so ready for ‘Watchmen.’ We tried so hard to ride that wave between satire and reality, and all the things that make you still care about the character, but you don’t miss the commentary about them.

The problem is, when you’re making an animated movie, the studio has an illusion in their minds – and it’s really not true – that because it’s a drawing, it can be changed at any time.

Music has that ability to be a magical thing, and I was like, maybe music is the vehicle that transports us to that other world.

Yeah, I mean, I think I’m obsessed with tone in the movies. Tone has always been the main thing that I go after with a movie.

I guess for me – in the TV commercial world I was known for shooting locations, beautiful landscapes and things like that – so, it’s interesting.

You know it has all the kind of fun stuff. It has the countermeasures – we always talk about the countermeasures because people are like, “What the heck is countermeasures?” You know if I shot a missile at it, flares would pop out of those holes and stop the missile from hitting it.

Once you land on who you think the character is and what his conflicts are, you have to let that lead you. You have to throw all that other stuff away and not be worried about this epic responsibility, or it will just crush and paralyze you.

Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don’t have that stuff, it’s kind of a one dimensional version of it.

I’m interested in animation. I actually feel like I’ve learned so much about the process how to make an animated movie.

The eyes get lost in 3-D. With 3-D, your eyes are looking for the plane of focus, right? And the problem is, when you do quick cuts, your eyes can’t find it.

Anytime I’ve ever been involved in a non-linear story, you see it in a linear manner first, just to make sure it makes sense, and then you chop it up and move it around.

I mean, like, I can go in a room and say, look, ‘Watchmen’ should be at least 15 minutes longer than ‘Batman.’ I mean, that’s, like, any geek will tell you that.

I felt like, in the recent past, people have been apologizing for Superman, a little bit, for his costume, for his origins, and for the way he fits into society.

Our plans for ‘Superman?’ I can’t say. This is the most super secret thing ever. It’s like working for the government, like I’m on a covert mission.

You know, it’s a hugely difficult thing to take any work of art or drawing and say ’make that real.

We’ve tried as hard as we can into keep the ideas intact in the hail storm that is Hollywood, so, whether he is or not, I’m personally proud of what I’ve been able to jam down their throats.

The challenge with ‘Watchmen’ is making sure that the ideas that were in the book got into the movie. That was my biggest stretch. I wanted people to watch the movie and get it. It’s one of those things where, over time, it has happened more.

The thing about owls is that they do sort of have this facial disc, which is unlike any other bird. They kind of have a face, more than like a dog or a giraffe. They have this weird, alien face that you can actually make expressive.

For whatever reason I was always obsessed with the potential of humanity’s physicality. Especially since we grew up with such a non-physical philosophy.

I’m so excited to begin working again with Henry Cavill in the world we created, and I can’t wait to expand the DC Universe in this next chapter. Let’s face it, it’s beyond mythological to have Superman and our new Batman facing off, since they are the greatest Super Heroes in the world.

I love the irony of movies. I really do. For whatever reason, I’m incredibly intrigued by the irony of reality in a motion picture.

I do like Superman as a character, and I have followed him throughout the years.

I aim my movies, as much as I can, at myself. I think that those movies have an interesting quality. They’re very movieish. They are movie movies. Like I think Watchmen is a very self-aware movie. 300. Dawn of the Dead definitely. That’s really where I’ve ended up.

It’s difficult to find a movie that feels true to itself. You feel the hand of Hollywood, the moviemaking by committee, on everything.

I always say, I’m certain I changed ‘Watchmen’ less than the Coen brothers changed ‘No Country for Old Men.’ I’m certain of it. But you don’t hear the Cormac McCarthy fans, like, up in arms about it. They should be. It’s like an amazing Pulitzer Prize-winning book.

I always say, I’m certain I changed ‘Watchmen’ less than the Coen brothers changed ‘No Country for Old Men.’ I’m certain of it. But you don’t hear the Cormac McCarthy fans, like, up in arms about it. They should be. It’s like an amazing Pulitzer Prize-winning book.

Well, Bradbury’s a genius. Fahrenheit 451 is one of my favorite books of all time, and The Illustrated Man as a collection of short stories ranks up there. When you read it you realize how influential it is on so many other stories and people.

I’ve always been influenced by the human form. I’m a big fan of that Shakespeare quote. I tend to leave out the bad part of the paragon of animals quote, because I have this sort of Ayn Rand aesthetic. It was always one of those quotes that inspired me.

I’ve always been influenced by the human form. I’m a big fan of that Shakespeare quote. I tend to leave out the bad part of the paragon of animals quote, because I have this sort of Ayn Rand aesthetic. It was always one of those quotes that inspired me.

People have a very proprietary relationship with Superman. It’s important to respect the iconography and the canon, but at the same time, you have to tell a story.

Reality’s its own thing. And I’m not really into reality that much. I’m into this cinematic stylized reality that can comment on reality. It’s like the most beautiful parts of reality and the saddest parts, but it’s none of this middle ground.

I think I just have a natural operatic aesthetic. I can’t help it.

I love comic books – maybe to a fault sometimes.

My mom always encouraged me, it was never weird. She’d look at ‘Heavy Metal’ and go ‘Woo-hoo.

It’s more like Christmas, you know, when you get a shot in that looks great and it’s exactly what you want. It’s a great feeling, and there’s nothing like it.

I want to – we’re working toward Justice League, and I really want to create the – part of the thing I really want to create is the possibility of a world where they could exist together.

I always say 300 is a sci-fi movie as much as anything. It’s like that could be another planet. It doesn’t have to be earth necessarily. That’s like when people get so wrapped up in the politics of 300 I always go, “By the way, that’s a sci-fi movie. It’s not really a historical film.

We can deny angels exist, convince ourselves they can’t be real. But they show up anyway, at strange places and at strange times. They can speak through any character we can imagine. They’ll shout through demons if they have to. Daring us, challenging us to fight.

We can deny angels exist, convince ourselves they can’t be real. But they show up anyway, at strange places and at strange times. They can speak through any character we can imagine. They’ll shout through demons if they have to. Daring us, challenging us to fight.

I heard one time that the Superman glyph is the second or third most recognizable symbol on Earth after the Christian cross.

I heard one time that the Superman glyph is the second or third most recognizable symbol on Earth after the Christian cross.

Of course it would depend on the project, but I don’t think I could ever separate myself from my aesthetic.

When Reality is a prison, Your mind can set you free.